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London Theatre Plays 






























































































































| Hedda Gabbler | Hedda Gabbler Theatre tickets from London Ticket Web | Hedda Gabbler Arriving home after an extended honeymoon Hedda Gabler struggles with an existence that is, for her, devoid of excitement and enchantment. Filled with a passion for life that cannot be confined by her marriage or 'perfect home', Hedda strives to find a way to fulfil her desires by manipulating those around her. Not the least bit interested in gaining her audience’s sympathy, Marvel’s Hedda is all too aware that she’s sold herself short for a marriage of seeming convenience. Lounging throughout the show in the same negligee, Marvel makes palpable Hedda’s thwarted hunger for life. Here, the seething discontent descends upon Hedda much like depression. When the force of such emotions threaten to compromise Hedda’s composure, she retreats into shadows. And when she re-emerges smiling, with a new purpose, she chills the blood. The smile, however beautiful, is never quite at home on a human face—it’s that of a predator. | 
Hedda Gabbler |
| Hedda Gabbler Hedda Gabler (Duke of Yorks)
Duke of Yorks Theatre St Martin's Lane London WC2H 4BG
Theatre Location Map:
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Theatre seating plan:
Running time: 2 Hours approx
All Performances: Evenings: Monday - Saturday at 7.30pm Matinees: Wednesday and Saturday at 2.30pm
Opened 19 May 2005 Booking to: 6 August 2005
Performance Times: Evenings: Tuesday to Saturday at 7.30pm Matinees: Wednesday and Saturday at 2.30pm
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All Performances Stalls: £50, £48, £38 Dress Circle: £50, £38 Upper Circle: £35, £32, £26 | 
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| Contents |
| | What's New | Hedda Gabbler is a Play by Henrik Ibsen in a new version by Richard Eyre. Directed by Richard Eyre with designs by Rob Howell and lighting by Peter Mumford. |
| Theatre Review | Hedda Gabbler Richard Eyre direct's his new version of Ibsen's Hedda Gabler. Richard was Director of the National Theatre The Times describes Hedda Gabbler as being a familiar work wonderfully refreshed. Don't miss it. The Financial Times highlighted that Best's performance is beautifully modulated, as is everything in Richard Eyre's illuminating production. The Daily Telegraph hailed Hedda Gabbler as a magnificent, must-see revival that is unreservedly recommended. The London Evening Standard praised the Hedda Gabbler play as being a rich and vivid production |
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